The Importance of Gay Heroes That Don’t Die

Brokeback Mountain

There are many tropes. Busty, blonde damsels. Brittle, brunette mistresses. Feisty, red-headed warriors. Alternatively: White-Male-Hero-With-Somnolent-Eyes-Yet-Aerodynamic-Cheek-Bones vs. Anything. Or the ever-plotless vengeance against a villain with no real motivation for villainy save an inscrutable need to inconvenience Our Hero. We know these tropes well. They’re practically family. If one came to your door and asked to come in, you might check for a judicious nod from your mother, but you’d open that door.

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Here at the Bottom

When I write, I generally keep a scene outline at the bottom of my document. As I figure things out and make edits, this outline tends to accumulate into a chapter outline, then a section outline, then eventually a book outline. It looms beneath my cursor like some sort of stupid, static dirigible, feeding me hints as I encroach on its content, and bumping itself down obediently as I progress.

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